The 17 photographs are pieces about what is forgotten, about memories and about times past. A dual immersion: on the one hand, into a “Mironian” sea where the photographer searches to experience the creative moment of Joan Miró, the moment of reflection in front of the artwork with his paintbrush dripping, considering how to continue, that instant that paralyses the artist, who then lets himself be carried away by his emotions, feelings and concerns; and on the other, an immersion into the “marks” or “pictorial remains” that are more like stains on the floor, which extraordinarily and after close observation, reveal the artist’s energies, movements and times.